starshinesMonet
I thought the mechanics of this short were nicely done, notably the use of the projection to denote precious memories and the idea that time has run out. I am rather keen on old things, so Yamamoto's decision to give this anime the feel of old film really worked its magic on me. I especially liked filtering of the light and lines on grainy film aspects, as well as the fading memory at the piano with the transistion to an empty village square (to be extremely honest AND picky I thought the transistion itself was a little clunky, but I liked the thought behind it) and Tamamoto's favourite faceless crowds. With all these rabbits and faceless crowds, I wonder if Yamamoto-san isn't quietly enduring some pain of his own as it seems to be a reoccurring theme. I actually became somewhat bored by…
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